![]() ![]() Thus, an adverbial phrases is a group of words that modifies, as a single unit, a verb, verb form, adjective or another adverb. Example: “Rush Limbaugh is a big fat idiot,” writes left-wing comedian Al Franken.Ĥ adverbial phrases First, let’s define an adverb: word that modifies a verb, verb form, adjective or another adverb. An argument directed to the personality, prejudices, previous words and actions of an opponent rather than an appeal to pure reason. In Part 2, we will examine many other rhetorical figures and the way they are used in Spanish.Collected from past AP Multiple-choice and Essay TestsĢ Abstract Diction Language that denotes ideas, emotions, conditions, or concepts that are intangible-impenetrable, incredible, inscrutable, inconceivable, unfathomableģ ad hominem Latin for “against the man.”Īttacking the person instead of the argument proposed by that individual. ![]() (Fragment of “No se culpe a nadie”, by Julio Cortázar) Moreover, there is the taste of the sweater, this blue taste of the wool that must be staining his face now that the humidity of his breath is mixing more and more each time with the wool. “… y además hay el gusto del pulóver, ese gusto azul de la lana que le debe estar manchando la cara ahora que la humedad del aliento se mezcla cada vez más con la lana”. La sinestesia is used to describe a physical sensation in terms normally reserved for another kind of sense. (Fragment of “Paula”, by Isabel Allende). ![]() It came and pointed at you, but it came across your mother and your grandmother and for this time it backed up”. Vino y te señaló, pero se encontró frente a frente con tu madre y tu abuela y por esta vez retrocedió.”ĭeath grabbed you on Monday, Paula. La personificación is used to confer a human behavior, quality or characteristic to non-human characters like animals, nature or inanimate objects. (Fragment of “XLIV” from “Antología”, by Pablo Neruda). I love you to start loving you, to restart the infinite and to never stop loving you: that is why I don’t love you yet. “Yo te amo para comenzar a amarte, para recomenzar el infinito y para no dejar de amarte nunca: por eso no te amo todavía.” Una paradoja is a logically self-contradictory statement meant to elicit an emotional response from the reader. (Fragments of “Estados de Ánimo”, by Mario Benedetti). On the other hand, el símil is a direct comparison between one thing and another, typically preceded by como. It is used to compare a real thing with an evoked or imagined one having similar characteristics. La metáfora is a figurative comparison in which the usage of direct comparison words such as como (like, as) is not present. This is the case of la metáfora (metaphor) and el símil (simile), but they are used differently. (Fragment of “Moriencia”, by Augusto Roa Bastos).Ĭomparison is the basis for many rhetorical figures. ![]() Twenty years of no sleeping were spoiled all of a sudden after getting the first sleep from which he would no longer wake up. “Los veinte años que llevó de no dormir se le corrompieron de golpe al tomar el primer sueño del que ya no iba a despertar.” It helps make any description more vivid. La hipérbole is a rhetorical figure used to describe a person, an object or an event by grandifying or exaggerating their characteristics. Then, we will be sharing some examples belonging to famous Spanish-speaking authors. Though there are hundreds of rhetorical figures in literature, in this first part of my post, I will explain the most common ones in Spanish: hyperbole, metaphor, simile, paradox, personification, and synesthesia. In that sense, Spanish literature is very rich in figuras retóricas (rhetorical figures) that embellish it, but they could be certainly tricky to identify for inexperienced readers. Rhetorical figures appear oftentimes in literature, though they are also very common in everyday conversations. Some rhetorical figures can be associated with figurative language, as it usually encompasses a non-literal usage of words, meant to evoke a variety of emotions from readers. Rhetorical figures are intentional deviations from the conventional sequence of words in a literary work, whose purpose is to create a sensorial meaning or rhetorical effect. ![]()
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